How Much Is Sixty Last Suppers Worth?
Last updated: February 24, 2026
Quick Facts
- Last Sale
- $60.9M (2017, Christie's New York)
- Methodology
- comparable analysis
Current fair-market value for Andy Warhol’s Sixty Last Suppers is estimated at $70–95 million. The range is anchored by its $60,875,000 auction result in 2017 and supported by sustained trophy-level demand for top Warhols, alongside the work’s stature as a monumental capstone to the Last Supper series. It should trade below the most iconic 1960s images but above nearly all other late-period works.

Sixty Last Suppers
Andy Warhol, 1986 • Acrylic and silkscreen ink on linen/canvas
Read full analysis of Sixty Last Suppers →Valuation Analysis
Conclusion: We estimate Andy Warhol’s Sixty Last Suppers at $70–95 million today. This range is grounded in the work’s last public sale at $60,875,000 (including premium) at Christie’s New York on November 15, 2017 [1], corroborated by the reported $56 million hammer [2], and calibrated against subsequent trophy-level Warhol results and current market selectivity.
Market anchors and comps: At the very top of Warhol’s market, the $195 million record for Shot Sage Blue Marilyn (May 2022) confirmed deep, global demand for canonical, museum-class images [3]. Within the artist’s large, serial canvases, White Disaster (White Car Crash 19 Times) achieved $85.4 million in November 2022, demonstrating buyers’ willingness to pay a premium for monumental, multi-image works with gravitas [4]. In 2024, a major 1964 Flowers realized $35.6 million, illustrating continued strength for prime Warhol series in a selective environment [5]. Within the Last Supper corpus specifically, smaller double-image canvases have transacted between roughly $7–19 million over the last decade, including a recent example at $7.07 million in May 2025—underscoring how Sixty Last Suppers sits at a wholly different tier within the series by virtue of its scale, ambition, and art-historical standing [7].
Significance and positioning: Created in 1986–87, the Last Supper project is widely regarded as the culminating statement of Warhol’s career. Sixty Last Suppers—at roughly 32 feet wide—stages an overwhelming, room-scale serial meditation on Leonardo’s image and on repetition itself, aligning the work with Warhol’s most probing appropriations while connecting to themes of faith, mortality, and mass imagery. The painting’s institutional profile, including exhibition at the Museo del Novecento, Milan (2017), further supports its status as a museum-caliber trophy [6]. Relative to Warhol’s absolute icons (Marilyn, early Death & Disaster), its subject is less pop-famous but more conceptually emblematic of his late practice, justifying a position below the very top records yet well above most late-1980s works.
Range logic and sensitivities: The 2017 price provides a robust public baseline; in today’s market, the best-in-class Warhols continue to command strong competition, especially with thoughtful placement and third-party support. Our $70–95 million range reflects: (i) a real-terms uplift from 2017’s benchmark, (ii) bracketing against 2022’s $85.4 million White Disaster and the 2024 Flowers at $35.6 million, and (iii) a premium for the painting’s singular scale, late-period centrality, and proven institutional appeal [1][4][5]. Condition, freshness, and selling strategy (venue, timing, and guarantee) could move the outcome materially; pristine condition and a high-visibility museum loan narrative would bias results toward the upper end, while any condition or market-timing headwinds would press toward the lower bound. Overall, the work’s quality, scale, and series-central status underpin a confident valuation in the high-trophy band.
Key Valuation Factors
Art Historical Significance
High ImpactSixty Last Suppers is widely considered a capstone of Warhol’s late oeuvre, synthesizing his serial method, appropriation of art-historical imagery, and meditations on faith, mortality, and mass reproduction. The Last Supper series (1986–87) marked Warhol’s most ambitious late project; this canvas—serializing Leonardo’s image sixty times—operates at the conceptual core of that body of work. Its status as a definitive statement of Warhol’s late practice, frequently highlighted in scholarship and exhibitions, places it among the artist’s most important post-1960s achievements and supports valuation at the trophy level.
Scale and Rarity
High ImpactMeasuring approximately 32 feet wide, Sixty Last Suppers is among the largest Warhol canvases to appear publicly. The sheer scale, coupled with its rigorous grid of repeated imagery, elevates the work from a notable example within a canonical series to a singular, room-dominating masterpiece. Monumental, museum-proportioned Warhols with this level of ambition are exceptionally scarce in private hands, and this rarity commands a significant premium over smaller Last Supper variants and over most late-1980s works.
Market Liquidity and Depth
High ImpactWarhol is a premier blue-chip artist with a broad, international collector base and sustained institutional attention. The $195 million record (2022) and the $85.4 million White Disaster result attest to deep liquidity for top-tier paintings. While the broader market has been selective, buyers continue to compete for the “best of the best.” Against this backdrop, a singular, late-period trophy like Sixty Last Suppers benefits from resilient demand and from auction mechanisms (e.g., irrevocable bids) that can reduce downside volatility and attract competitive bidding.
Provenance and Exhibition
Medium ImpactThe painting’s path from the Warhol Estate/Foundation through respected stewardship, coupled with high-visibility institutional exposure (e.g., Museo del Novecento, Milan, 2017), strengthens its market narrative. Museum-caliber loans and scholarly citations typically enhance buyer confidence and marketing power, often translating into stronger price tension at sale. Additional recent loans, publications, or inclusion in authoritative catalogues would further amplify this factor.
Condition and Freshness to Market
Medium ImpactCurrent condition has an outsized impact at this price level. While the work last sold in 2017—recent enough to be known but not overtraded—updated conservation reports and high-resolution imaging would refine the estimate. Excellent condition and a compelling, “fresh” presentation (e.g., after a notable museum loan) would support outcomes toward the top of the range; any material restoration or surface issues would push the value toward the lower bound.
Sale History
Christie's New York (Post-War & Contemporary Art Evening Sale, Lot 13B)
Andy Warhol's Market
Andy Warhol’s market is among the deepest and most global in Post-War and Contemporary art. His top-tier paintings regularly headline marquee auctions, with the 2022 sale of Shot Sage Blue Marilyn at $195 million setting a record for both the artist and any 20th-century artwork at auction. Serial, iconic subjects from the 1960s—Marilyn, Death & Disaster, Elvis, Flowers—command the highest premiums, while late-period masterpieces with strong concepts and scale occupy the next tier. Warhol’s broad base of collectors is reinforced by a robust editions market, strong museum programming, and frequent scholarly attention. Even amid periods of broader market caution, best-in-class Warhols continue to benefit from “flight to quality” dynamics and third-party guarantee support.
Comparable Sales
The Last Supper (double image; pink/black)
Andy Warhol
Same artist and year (1986), same Last Supper series, acrylic and silkscreen on canvas; smaller double‑image format provides series‑specific market benchmark.
$18.7M
2017, Christie's New York
~$24.8M adjusted
The Last Supper (double image; yellow/black)
Andy Warhol
Same artist/series/year with near‑identical materials; double‑image format establishes demand for non‑trophy examples within the Last Supper corpus.
$8.8M
2018, Phillips New York
~$11.3M adjusted
The Last Supper (double image; blue/black)
Andy Warhol
Latest public auction datapoint for the Last Supper series; same year and subject, smaller double‑image format.
$7.1M
2025, Christie's New York
White Disaster (White Car Crash 19 Times)
Andy Warhol
Monumental, serial, black‑and‑white canvas from the Death & Disaster series—Warhol trophy of comparable ambition and gravitas; calibrates top‑tier Warhol demand for large, multi‑image works.
$85.4M
2022, Sotheby's New York
~$94.9M adjusted
Silver Car Crash (Double Disaster)
Andy Warhol
Record‑level early Death & Disaster painting; like Sixty Last Suppers, it is a large, serial, monochrome tour‑de‑force anchoring the very top of Warhol’s market.
$105.4M
2013, Sotheby's New York
~$147.2M adjusted
Race Riot
Andy Warhol
Major 1964 Death & Disaster canvas; top‑tier historical subject and museum‑level importance, used to bracket pricing for late monumental series like the Last Suppers.
$62.9M
2014, Christie's New York
~$86.3M adjusted
Current Market Trends
The current high-end market remains selective but stable for blue-chip trophies. After a slower 2024 with thinner supply of $10m+ lots, 2025–2026 marquee weeks have shown improved liquidity whenever top-quality consignments appear. Auction houses are leaning on third-party guarantees and curated narratives to secure and de-risk major works, and buyers are prioritizing canonical images, impeccable provenance, and museum-scale impact. Within this context, prime Warhols continue to outperform: record-level results in 2022, strong 2024 outcomes for major Flowers, and steady demand for serial, multi-image works signal continued appetite for the best examples, even as mid-market material faces tighter price discipline.
Sources
- Christie's Post-Sale Results (Nov 15, 2017)
- The Art Newspaper sale analysis (Nov 16, 2017)
- Christie's press release: Warhol Marilyn sells for $195m (May 9, 2022)
- Forbes: Warhol White Disaster sells for $85.4m (Nov 16, 2022)
- Christie's press: 20th Century Evening Sale totals (May 16, 2024)
- Museo del Novecento, Milan: Andy Warhol — Sixty Last Suppers (2017)
- Observer: May 2025 Christie’s sale recap (incl. Last Supper double image)