How Much Is Le Port au soleil couchant, Opus 236 (Saint-Tropez) Worth?

$18-35 million

Last updated: April 24, 2026

Quick Facts

Last Sale
$25.8M (2019, Christie's London)
Insurance Value
$33.0M (Market-based replacement calculation (advisor))
Methodology
comparable analysis

Le Port au soleil couchant, Opus 236 (Saint‑Tropez) is a trophy Signac that last sold at Christie’s London on 2019-02-27 for £19,501,250 (≈US$25.84M). Using that realized sale as the primary datum and reconciling it with post‑2019 top‑market comparables and current market dynamics, a realistic to‑sell range today is US$18–35M; final placement depends on condition, venue and marketing.

Le Port au soleil couchant, Opus 236 (Saint-Tropez)

Le Port au soleil couchant, Opus 236 (Saint-Tropez)

Paul Signac, 1892 • Oil on canvas

Read full analysis of Le Port au soleil couchant, Opus 236 (Saint-Tropez)

Valuation Analysis

Primary datum and anchor. The decisive market evidence for this exact canvas is the Christie’s London evening‑sale realisation of 27 February 2019: final price (with buyer’s premium) £19,501,250, reported at approximately US$25,839,156. That sale confirms the work’s trophy status and provides the most reliable direct market anchor for a current valuation [1].

Comparables and market context. At the highest tier, Signac’s ceiling was re‑established by the Paul G. Allen dispersal (notably Concarneau, calme du matin, Op. 219, which realised US$39.32M in Nov 2022). That result resets the upper market expectation for museum‑quality marines and therefore informs a top‑end scenario for Opus 236 [2]. Simultaneously, multiple very good Signac marines sold in the US$7–9M band in 2023–2025, demonstrating a bifurcated market: trophy canvases command multi‑ten‑million prices while otherwise excellent works occupy the mid‑seven‑figure band.

Deriving the estimate range. Reconciling the 2019 realised price with subsequent market movement, and allowing for typical inflation/market re‑rating and the post‑2022 selective market correction, a practical current to‑sell range is US$18,000,000–US$35,000,000. The US$18M lower bound represents a realistic quick‑sale/private treaty or conservative reserve scenario; the midpoint (roughly US$26–30M) aligns with the 2019 datum adjusted modestly for market conditions; the US$35M upper bound is an optimal evening‑sale outcome assuming perfect condition, strong institutional interest and competitive international bidding.

Sell strategy and reserve guidance. For an evening sale at a top house, I recommend an aggressive presale estimate band that straddles the midpoint (for example US$22–35M) with a reserve set at or just below the midpoint depending on the seller’s liquidity needs. If the owner prefers certainty, a targeted private‑treaty campaign to major museums and leading collectors could achieve terms close to the 2019 realisation (or above) if timed to institutional interest. Prior to marketing, secure a full condition report, high‑resolution photography, and the Christie’s 2019 lot file and catalogue raisonné citation to maximize buyer confidence [1].

Next steps. Obtain an up‑to‑date condition/conservation report, precise dimensions and recto/verso imagery; request Christie’s lot documentation from 2019 and any conservation history; then solicit written estimates from specialist departments at Christie’s and Sotheby’s for venue‑specific guidance. With those materials I can produce a tailored comparables sheet and recommended sale timetable.

Key Valuation Factors

Art Historical Significance

High Impact

Le Port au soleil couchant (Opus 236) sits squarely within Signac’s mature Neo‑Impressionist marine period and is a canonical Saint‑Tropez harbor sunset from the artist’s most collectible phase. Works of this type exemplify his technical achievements in color, light and pointillist technique and are heavily represented in museum exhibitions and scholarship. The painting's compositional clarity and technical finesse make it of high curatorial interest; inclusion in the catalogue raisonné and documented exhibition history increase its academic and institutional desirability. This art‑historical importance translates into sustained buyer demand and a strong positive influence on price, placing the work in the trophy category among Signac marines.

Provenance & Exhibition History

High Impact

A continuous, documented chain of ownership (Sotheby Parke Bernet circa 1980; Sotheby's NY 1993; Acquavella Galleries; Christie’s London 2019) plus published exhibition entries and catalogue‑raisonné citation materially reduce title risk and broaden the buyer pool. Strong provenance reassures institutional and private buyers and typically attracts higher bids, whereas gaps or ambiguous ownership increase buyer caution and apply downward pressure. Christie’s lot documentation indicates prominent exhibition history, which is a decisive positive when positioning a work at evening sale level: museums and trophy collectors price provenance and exhibition citations very highly.

Market Comparables & Recent Sales

High Impact

The 2019 Christie’s realised price for this exact canvas (≈US$25.84M) is the primary comparable. At the market’s uppermost level, the Nov 2022 Concarneau result (US$39.32M) reset the ceiling for premier marines; meanwhile, very good Signac marines sold in 2023–2025 have traded in the US$7–9M band. This divergence produces a pronounced premium for museum‑quality, well‑provenanced canvases. Valuation therefore reconciles the exact 2019 datum with subsequent trophy‑level re‑ratings at the top and mid‑market outcomes below, producing the US$18–35M recommendation range.

Condition & Conservation

Medium Impact

Condition can materially change outcomes: pristine, original surfaces command top prices, while paintings with heavy restoration, relining, or significant inpainting commonly realise 10–30% less, depending on severity. The Christie’s 2019 sale implies acceptable condition at that time, but any later intervention or deterioration must be fully documented. A specialist condition report (UV, IR, raking light, treatment history) is essential prior to sale and will directly influence buyer confidence, sale timing and reserve strategy. Condition uncertainty narrows the bidder field and typically reduces final price unless transparently resolved.

Size, Rarity & Visual Impact

Medium Impact

Scale and display presence are important value multipliers: large, immersive Signac marines are rarer and more desirable for museum walls, usually commanding a premium over smaller examples. Rarity of view or particularly striking chromatic execution also attracts trophy buyers. Given this work’s 2019 trophy realisation, it likely benefits from both scale and strong visual impact; however, accurate dimensions and an in‑room visual appraisal are necessary to quantify the premium. If the canvas is unusually large or compositionally unique, it could push realizations toward the upper range of the estimate.

Sale History

Price unknownFebruary 27, 2019

Christie's London (Impressionist & Modern Evening Sale)

Price unknownMay 11, 1993

Sotheby's New York

Price unknownMay 12, 1980

Sotheby Parke Bernet, New York

Price unknownJanuary 1, 1994

Acquavella Galleries (New York)

Paul Signac's Market

Paul Signac is a blue‑chip Neo‑Impressionist whose museum‑quality marines and Venetian/Provençal views attract institutional and private collectors. The secondary market shows a wide band of outcomes: mid‑to‑high seven figures for very good works and multi‑ten‑million dollars for canonical trophy canvases (artist record US$39.32M, 2022). Provenance, exhibition history, condition and scale drive premium pricing. Since 2022 the market has been selective: the best Signacs remain highly sought after while mid‑market examples show greater variability.

Comparable Sales

Le Port au soleil couchant, Opus 236 (Saint-Tropez)

Paul Signac

Exact work — same canvas, provenance and exhibition history; primary market datum for valuation.

$25.8M

2019, Christie's London

~$32.3M adjusted

Concarneau, calme du matin (Opus no. 219, Larghetto)

Paul Signac

Top-of-market trophy marine by Signac (record result) — directly comparable in subject and period; sets the ceiling for premier Signac marines.

$39.3M

2022, Christie's New York (Paul G. Allen sale)

~$42.9M adjusted

Sisteron (1902)

Paul Signac

Same artist, similar early-20th-century Provençal subject and museum-quality provenance — a strong mid/high seven-figure comparable for quality Signac works.

$8.6M

2023, Bonhams New York

~$9.0M adjusted

Calanque des Canoubiers (Saint-Tropez)

Paul Signac

Same subject (Saint-Tropez marine) and period (1890s); reported mid/high seven-figure result — a directly relevant market-comparable for Saint-Tropez marines.

$8.4M

2023, Christie's London

~$8.8M adjusted

Saint-Tropez, port en fête (1895)

Paul Signac

Recent 2025 Saint-Tropez marine sale (rediscovered work) — useful for assessing current mid-market demand for Signac Saint-Tropez canvases.

$7.7M

2025, Koller Zurich

Current Market Trends

After the 2022 high‑profile dispersals that reset top benchmarks, the market corrected in 2023 and then displayed a selective rebound: top museum‑quality works remain in demand while buyer selectivity has increased. Institutional exhibitions, scarcity of trophy consignments and strong provenance are the primary drivers pushing top results higher; overall sentiment is cautiously optimistic for best‑in‑class Signacs.

Disclaimer: This estimate is for informational and educational purposes only. It is based on publicly available data and AI analysis. It should not be used for insurance, tax, estate planning, or sale purposes. For formal appraisals, consult a certified appraiser.

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