The Garden of Earthly Delights
Hieronymus Bosch (c.1490–1500)
The Garden of Earthly Delights unfolds a three‑act moral narrative—<strong>innocence</strong>, <strong>seduction</strong>, and <strong>retribution</strong>—from Eden to a punitive <strong>Musical Hell</strong>. Bosch binds the scenes through recurring emblems (notably the <strong>owl</strong>) and by echoing Eden’s crystalline fountain in the center’s fragile, candy‑colored architectures, then in Hell’s broken bodies and instruments. The work dazzles with invention while insisting that <strong>sweet, ephemeral pleasures</strong> end in ruin <sup>[1]</sup>.
