Sixty Last Suppers
Andy Warhol (1986)
Andy Warhol’s Sixty Last Suppers multiplies Leonardo’s scene into a vast grid, turning a singular sacred image into <strong>serial</strong> signage. From afar it reads as an architectural surface; up close, silkscreen <strong>variations</strong>—blurs, darker panels, dropped ink—reassert the human trace <sup>[1]</sup><sup>[2]</sup>.
