Olympia
Édouard Manet (1863 (Salon 1865))
A defiantly contemporary nude confronts the viewer with a steady gaze and a guarded pose, framed by crisp light and luxury trappings. In Olympia, <strong>Édouard Manet</strong> strips myth from the female nude to expose the <strong>modern economy of desire</strong>, power, and looking <sup>[1]</sup><sup>[3]</sup>.
