How Much Is La Grenouillère Worth?
Last updated: January 15, 2026
Quick Facts
- Insurance Value
- $200.0M (Specialist appraisal (derived from FMV uplift))
- Current Location
- The Metropolitan Museum of Art, New York
- Methodology
- extrapolation
La Grenouillère (1869) is a foundational Monet and cornerstone of early Impressionism, long held by The Metropolitan Museum of Art. Based on Monet’s $110.7m auction record and multiple $65–75m sales for core series works since 2023, we estimate a current fair‑market value of $120–180 million, with replacement/insurance around $200 million.

Valuation Analysis
Conclusion: We estimate Claude Monet’s La Grenouillère (1869, The Metropolitan Museum of Art) at $120–180 million fair‑market value today, with a practical insurance/replacement value around $200 million. The work is a museum‑held, canonical early Impressionist masterpiece bequeathed to the Met in 1929, with no modern public sale history—status that confers both cultural primacy and severe market scarcity [1].
Method and anchors: The range extrapolates from Monet’s standing at the very top of the market. The artist’s auction record is $110.7 million for Meules (Haystacks) achieved in 2019 at Sotheby’s, establishing a durable benchmark for blue‑chip Monet trophies [2]. Since 2023, multiple core‑series Monets have transacted in the $65–75 million band, including a Water Lilies painting at $74.01 million (Christie’s, Nov 2023) and another at $65.5 million (Sotheby’s, Nov 2024), confirming sustained depth of bidding for A‑caliber subjects [3][4].
Why La Grenouillère commands a premium: Painted in 1869, La Grenouillère is a touchstone of early Impressionism—an en plein air scene on the Seine that crystallizes Monet’s modern leisure theme and nascent broken‑brushwork. Within Monet’s oeuvre, the subject is exceptionally important and extensively reproduced in scholarship. Prime examples are concentrated in top museums, and the Met’s version is among the most cited. This combination of art‑historical significance, iconicity, and near‑zero private supply justifies an extrapolation above most late‑series comparables and plausibly above Monet’s last decade of public prices, while still bracketing the 2019 Haystacks record as the key ceiling reference [1][2][3][4].
Range calibration: The $120 million lower bound reflects a conservative premium over recent $65–75 million core‑series results for works of later date but broad decorative appeal, plus an early‑masterpiece scarcity premium. The $180 million upper bound recognizes that if a museum‑grade, textbook Monet of this stature were made available with optimal presentation and competition, it could surpass the artist’s prior record in today’s market, even as trophy liquidity remains more selective than in 2019. Category data show fewer ultra‑high‑end trades in 2024, but blue‑chip, canon‑defining lots continue to lead major evening sales when supply appears [5].
Insurance/replacement: At $200 million, the insurance indication captures the extreme difficulty of sourcing a like‑for‑like early Impressionist masterpiece and the additional costs/uncertainties a buyer would face to “replace” such a work (if at all). Key sensitivities around the realized price include technical condition, sale venue and timing, guarantee structure, and global bidding depth; however, none materially weaken the central thesis of masterpiece‑level demand for this subject.
Key Valuation Factors
Art Historical Significance
High ImpactLa Grenouillère is a cornerstone of early Impressionism, painted en plein air during Monet’s formative period and widely reproduced in scholarship. It captures the emergence of the light‑splintering brushwork, modern leisure subject matter, and atmospheric immediacy that would define the movement. Within Monet’s oeuvre, it stands among the most discussed pre‑1870 compositions and is frequently featured in surveys of the origins of Impressionism. This primacy translates directly into market value: collectors and institutions assign a substantial premium to works that are not merely representative but constitutive of an artist’s breakthrough, especially when the subject is iconic and indelibly associated with the artist’s story.
Rarity and Supply
High ImpactPrime La Grenouillère compositions reside in major museums, resulting in near‑complete absence of privately tradeable examples. For top‑tier early Monets of this caliber, supply is structurally constrained: masterworks were long ago absorbed by institutions and legacy collections. When masterpiece‑level Impressionism does surface, global competition is intense and outcomes often exceed guide ranges. This scarcity effect magnifies pricing beyond what later, more numerous series (e.g., Water Lilies) alone would suggest. In short, collectors cannot readily substitute another work to achieve the same art‑historical and cultural significance, which supports a steep scarcity premium.
Market Benchmarks and Demand
High ImpactMonet remains an ultra‑prime market leader. His auction record stands at $110.7m (2019, Haystacks), and recent headline results for core motifs have repeatedly cleared $65–75m, demonstrating deep, global bidding for A‑caliber works. Even as the overall Impressionist segment saw fewer trophy‑lot transactions in 2024, Monet paintings continued to anchor marquee evening sales. This pattern—constrained supply but persistent demand for canonical names—supports extrapolating above recent comparables for a museum‑grade, early masterpiece. The proposed $120–180m range reflects this persistent depth while acknowledging current market selectivity at the very top end.
Provenance and Institutional Status
High ImpactThe Met’s painting entered via the famed Havemeyer bequest in 1929 and has remained in a world‑class institutional collection for decades. Such pedigree confers exceptional credibility, exhibition visibility, and literature presence—attributes that collectors prize and that reduce transactional friction. Museum‑held masterpieces also carry a powerful ‘museum premium’: they are more widely recognized, more frequently reproduced, and virtually impossible to replace if deaccessioned or hypothetically offered. While institutional ownership means the work is not market‑available, it simultaneously elevates its notional value by underlining its cultural centrality and unimpeachable provenance.
Sale History
La Grenouillère has never been sold at public auction. It has been held by The Metropolitan Museum of Art, New York.
Claude Monet's Market
Claude Monet is a blue‑chip, ultra‑prime artist with one of the deepest global collector bases in the Modern category. His auction record is $110.7 million for Meules (Sotheby’s, 2019). Since 2023, multiple core‑series works—especially from the Water Lilies and London series—have achieved $65–75 million, and Monet paintings have continued to lead marquee evening sales in New York and London. The breadth of demand spans museums, major private collections, and global bidders (including the U.S., Europe, and Asia). While the overall Impressionist segment has seen fewer trophy transactions recently, appetite for top‑tier Monets remains resilient, with guarantees and third‑party support frequently deployed for headline lots.
Comparable Sales
Meules (Haystacks)
Claude Monet
Artist record; canonical series trophy of similar scale and market stature—anchors Monet’s price ceiling.
$110.7M
2019, Sotheby's New York
~$139.5M adjusted
Le Parlement, soleil couchant
Claude Monet
Top result from a core London series; blue-chip, evening-sale leader—good benchmark for A-tier Monets.
$76.0M
2022, Christie's New York
~$83.2M adjusted
Le bassin aux nymphéas
Claude Monet
Headline Water Lilies picture; demonstrates sustained $70m+ demand for canonical Monets.
$74.0M
2023, Christie's New York
~$78.5M adjusted
Nymphéas
Claude Monet
Blue-chip late Monet from the Water Lilies series; confirms depth of bidding in the $60–70m band.
$65.5M
2024, Sotheby's New York
~$67.1M adjusted
Waterloo Bridge, effet de brouillard
Claude Monet
Iconic London-series benchmark outside lilies/haystacks; strong reference for prime-series pricing.
$48.5M
2021, Christie's New York
~$56.2M adjusted
Peupliers au bord de l’Epte, crépuscule
Claude Monet
Series record for the Poplars; evidences depth beyond the very top motifs and provides a floor for A–A+ Monets.
$43.0M
2025, Christie's New York
Current Market Trends
Impressionist/Post‑Impressionist auctions contracted in value in 2023 and 2024 amid thinner top‑end supply and more selective bidding, even as sell‑through rates stabilized. The UBS/Art Basel Art Market reports show the category declining in aggregate value while the number of lots sold rose, indicating a shift toward mid‑market activity. In 2025, marquee sales steadied, and blue‑chip masters—Monet among them—continued to anchor evening auctions when fresh, A‑quality works were offered. For true trophies, competition remains strong, but pricing is more estimate‑sensitive and venue‑dependent than during the 2019–2022 boom, reinforcing the importance of careful positioning and timing.
Sources
- The Metropolitan Museum of Art: "La Grenouillère" (object page)
- Sotheby’s: Monet’s Meules sells for $110.7 million — artist record (2019)
- Christie’s: 20th Century Evening Sale results, Nov 2023 (Monet Le bassin aux nymphéas $74.01m)
- Sotheby’s: Fall 2024 auction results (includes Monet Nymphéas at $65.5m)
- UBS/Art Basel: The Art Market 2024 — Auctions