How Much Is Jimson Weed/White Flower No. 1 Worth?
Last updated: May 16, 2026
Quick Facts
- Last Sale
- $44.4M (2014, Sotheby's New York)
- Insurance Value
- $95.0M (Valuation analysis (comparable-based replacement estimate))
- Methodology
- comparable analysis
Fair‑market value for Georgia O’Keeffe’s Jimson Weed/White Flower No. 1 is estimated at $60–80 million today. The range is anchored by its $44.405 million record auction result in 2014 and uplifted by inflation, scarcity, and recent eight‑figure prices for top‑tier O’Keeffe florals. Replacement (insurance) value is set higher, reflecting extreme rarity and institutional demand.

Jimson Weed/White Flower No. 1
Georgia O’Keeffe, 1932 • Oil on canvas
Read full analysis of Jimson Weed/White Flower No. 1 →Valuation Analysis
Conclusion: We estimate the current fair‑market value (hypothetical auction) of Georgia O’Keeffe’s Jimson Weed/White Flower No. 1 (1932) at $60–80 million. This range is anchored by the painting’s $44,405,000 price with premium at Sotheby’s New York on November 20, 2014—still the artist’s auction record—and adjusted upward for inflation, scarcity, and leadership within the oeuvre [1]. The work is now held by Crystal Bridges Museum of American Art, a fact widely reported after the sale, reinforcing its canonical status and long‑term institutional validation [2].
Method and benchmarks: The 2014 sale is a direct, best‑possible comparable for the identical object. CPI adjustment alone places that price in the low‑$60 millions in recent dollars, which forms the floor of our range [6]. To test the ceiling, we reference recent top‑tier O’Keeffe florals: White Rose with Larkspur No. 1 achieved $26,725,000 in 2022 (Paul G. Allen Collection), and Black Iris VI achieved $21,110,000 in 2023—both prime works, but materially smaller and less iconic than the monumental single‑flower Jimson Weed [3][4]. The spread between these strong results and the 2014 record underscores Jimson Weed’s leadership and supports a premium above inflation.
Why this painting commands a premium: Jimson Weed/White Flower No. 1 is the largest and most celebrated of O’Keeffe’s Datura/Jimson Weed images, from a prime 1932 date, at a commanding 48 × 40 inches. Its single, centered bloom is among the most recognized images in American Modernism. Many peer‑quality large flower canvases reside in museums, limiting supply. This combination—iconic subject, scale, date, pristine provenance, and extensive exhibition history—aligns with the attributes collectors reward most aggressively at evening sales, and explains its enduring record status [1][2].
Market context: Demand for canonical Modern works has remained resilient, with a structural revaluation of women artists adding depth at the trophy level. The category’s strength through 2024–2025 provides a supportive macro backdrop for a blue‑chip icon like Jimson Weed [7]. Although O’Keeffe’s single‑artist record has not been publicly reset since 2014, the broader ceiling for women artists moved higher when Frida Kahlo’s El sueño (La cama) sold for $54.7 million in 2025, confirming robust appetite for museum‑grade, historically significant works by women [5].
Insurance (replacement) value: Given the painting’s institutional ownership, exceptional scarcity, and the difficulty—arguably impossibility—of sourcing a replacement work of equal stature, we set a prudent insurance value at $95,000,000. This sits above likely auction FMV to reflect replacement risk and market dynamics for singular masterpieces.
Notes: This opinion assumes excellent condition and current literature/exhibition status consistent with 2014 disclosures. A current condition report and updated curatorial bibliography would further refine the estimate.
Key Valuation Factors
Art Historical Significance
High ImpactJimson Weed/White Flower No. 1 is among the most iconic images in American Modernism and a defining work in O’Keeffe’s oeuvre. Created in 1932, it crystallizes the artist’s investigation of magnified, close-cropped florals that challenged conventions of subject, scale, and perception. The Jimson Weed/Datura motif is intimately tied to O’Keeffe’s New Mexico practice and to the critical discourse around gendered readings of her flowers; this canvas, the largest and best-known of the series, has featured prominently in exhibitions and literature. Its signature status confers enduring cultural and scholarly value beyond market cycles, placing it at the apex of works sought by institutions and leading private collections.
Scale and Iconography
High ImpactAt 48 × 40 inches, the painting possesses a commanding physical presence that few O’Keeffe florals can match. The singular, centered white bloom against a restrained ground exemplifies the artist’s most coveted compositional mode: a monumental, isolated subject imbued with both formal clarity and sensual ambiguity. Collectors consistently pay premiums for O’Keeffe works that combine early 1930s dates with large-format, single-flower imagery. Relative to smaller, multi-flower, or later works, this canvas sits in the absolute top tier by desirability, a status corroborated by its standing record price and persistent public recognition. Scale and iconography together justify a valuation well above inflation-adjusted 2014 levels.
Rarity and Scarcity
High ImpactSupply of true peer comparables is extraordinarily limited. Many of O’Keeffe’s prime single-flower oils of comparable ambition are held in museums, and the market sees very few chances to acquire like-for-like works. Auction evidence since 2022 shows smaller, excellent florals trading between roughly $13–27 million, underscoring how exceptional Jimson Weed is within the spectrum. Given this scarcity—and the additional constraint of the work’s current institutional ownership—buyers would likely need to pay a significant premium to secure an equivalent masterpiece. Scarcity therefore supports a fair-market value comfortably above the CPI-adjusted 2014 price and a substantially higher replacement value.
Provenance, Exhibition, and Visibility
Medium ImpactThe painting’s provenance is unimpeachable, culminating in acquisition by Crystal Bridges Museum of American Art following its 2014 record-setting sale. Institutional stewardship amplifies scholarly attention, exhibition exposure, and brand recognition—all of which compound long-term value for the specific work. While museum ownership typically reduces near-term marketability, it does not diminish intrinsic market value for appraisal; rather, it underscores the painting’s museum-grade status and irreplaceability. Exhibition history and continued inclusion in O’Keeffe scholarship support sustained demand from top collectors and institutions, strengthening confidence in the upper half of the estimated range and informing a higher insurance figure.
Sale History
Sotheby's New York
Property of the Robert R. Young Foundation from the Estate of Anita O’Keeffe Young; price as reported (premium/hammer not disaggregated in public summaries).
Sotheby's New York
Lot 83; price as reported (premium/hammer not disaggregated in public summaries).
Sotheby's New York
American Art sale N09229; estimate $10–15m; hammer $39.5m; $44,405,000 with premium; widely reported buyer: Crystal Bridges Museum of American Art.
Georgia O’Keeffe's Market
Georgia O’Keeffe is a blue‑chip American Modernist with deep institutional support and global name recognition. Her market’s apex centers on large, early floral oils and iconic New Mexico subjects, with steady demand and thin supply at the very top. Jimson Weed/White Flower No. 1 set the artist’s auction record at $44.405 million in 2014, a benchmark that still frames pricing for best-in-class works. Recent marquee results—such as White Rose with Larkspur No. 1 at $26.7 million (2022) and Black Iris VI at $21.1 million (2023)—demonstrate consistent eight‑figure demand for prime florals, while broader attention to historically underrecognized women artists has added competitive pressure for her most celebrated images.
Comparable Sales
Jimson Weed/White Flower No. 1
Georgia O'Keeffe
Identical work; last public benchmark and the artist’s auction record. Establishes a direct floor for today’s value when inflation-adjusted.
$44.4M
2014, Sotheby's New York (American Art, sale N09229)
~$60.5M adjusted
White Rose with Larkspur No. 1 (1927)
Georgia O'Keeffe
Same artist; prime-period iconic floral. Strong provenance and evening-sale context; smaller and multi-flower composition compared with Jimson Weed’s monumental single bloom.
$26.7M
2022, Christie's New York (Visionary: The Paul G. Allen Collection)
~$29.9M adjusted
Black Iris VI (1936)
Georgia O'Keeffe
Same artist; a celebrated single-flower subject from the 1930s. Prime period and high visibility; smaller in scale than Jimson Weed and less monumental.
$21.1M
2023, Christie's New York (20th Century Evening Sale)
~$22.6M adjusted
Red Poppy (1928)
Georgia O'Keeffe
Same artist; prime late‑1920s single-flower icon. Strong subject affinity but materially smaller than the 48 × 40 in. Jimson Weed.
$16.5M
2024, Christie's New York (20th Century Evening Sale)
~$17.0M adjusted
White Calico Rose (1931)
Georgia O'Keeffe
Same artist; close-in date to 1932 Jimson Weed and floral focus. Smaller format and less iconic status relative to the largest Jimson Weed.
$13.1M
2023, Christie's New York
~$14.0M adjusted
Leaves of a Plant (1942)
Georgia O'Keeffe
Same artist; highly finished plant close-up with strong market performance. Later date and not a single-flower image, hence a step down in subject-signature strength.
$13.0M
2025, Sotheby's New York (Modern Evening Sale)
Current Market Trends
Modern art has been the most resilient auction category in recent seasons, with disciplined estimates, strong sell‑through, and robust demand for museum‑quality works. A sustained recalibration of prices for women modernists—underscored by Frida Kahlo’s $54.7 million record in 2025—signals depth for historically significant, icon‑level paintings. Within this backdrop, O’Keeffe’s top material continues to draw competitive bidding and third‑party support when available. Although the broader market cooled in 2024, marquee Modern sales and subsequent 2025 rebounds confirm a stable to strengthening environment for canonical American Modernism, providing a solid foundation for a $60–80 million valuation for Jimson Weed/White Flower No. 1.
Sources
- Sotheby’s: American Art, Nov 20, 2014 (lot page)
- Crystal Bridges Museum: Acquisition announcement/feature on Jimson Weed
- Christie’s: Paul G. Allen Collection results (includes O’Keeffe, White Rose with Larkspur No. 1)
- Christie’s: Spring Marquee Week 2023 results (includes O’Keeffe, Black Iris VI)
- The Art Newspaper: Frida Kahlo sets new record for a woman artist at auction (Nov 2025)
- Smithsonian Magazine: Inflation/context around headline records for women artists
- Artnet News: Modern was the most lucrative fine‑art category in 2024