Claude Monet Paintings in Boston — Where to See Them

Boston is one of the easiest places in the U.S. to take in Claude Monet’s range in a single visit: the Museum of Fine Arts, Boston keeps about 13 paintings on permanent display. With works that span from lively Argenteuil garden scenes to late Giverny water landscapes, the MFA lets you see how Monet moved from brisk outdoor studies to the atmosphere and color harmonies of his mature style—all under one roof.

At a Glance

Museums
Museum of Fine Arts, Boston
Highlight
See the largest Monet collection in Boston at the MFA's Impressionist galleries.
Best For
Impressionist lovers seeking a concentrated Monet experience in one museum.

Museum of Fine Arts, Boston

Boston collectors were among Monet’s earliest American champions, and the MFA’s 13 canvases trace his arc from brisk coastal scenes to late Giverny reflections. Signature works like La Japonaise (Camille Monet in Japanese Costume) reveal his dialogue with Japonisme—especially resonant here given the MFA’s deep Japanese holdings—while grainstacks and water-lily views show how he pushed serial observation toward pure light and color.

Address: 465 Huntington Avenue, Boston, Massachusetts 02115-5523
Hours: Sunday 10 am–5 pm; Monday 10 am–5 pm; Tuesday Closed; Wednesday 10 am–5 pm; Thursday 10 am–10 pm; Friday 10 am–10 pm; Saturday 10 am–5 pm. ([mfa.org](https://www.mfa.org/visit))
Admission: Adults $30; Youths 7–17 $14; ages 0–6 free; Members free. ([mfa.org](https://www.mfa.org/visit))
Tip: Arrive at opening and head straight to the Impressionist galleries in the Art of Europe wing; see La Japonaise first, then pop into the nearby Japanese galleries to catch the ukiyo-e prints and textiles that illuminate Monet’s references—most visitors never make that connecting detour.

Claude Monet and Boston

Claude Monet never lived, trained, or even visited Boston, yet the city became one of his strongest American footholds through avid collectors and landmark exhibitions 1. By the late 19th century, Boston patrons were acquiring his canvases in depth—a story the Museum of Fine Arts, Boston (MFA) foregrounded in its 150th‑anniversary exhibition, "Monet and Boston: Lasting Impression" (2020) 2. A pivotal moment came earlier, in 1892, when Boston’s St. Botolph Club mounted what contemporaries recognized as the first U.S. solo exhibition of Monet, drawn entirely from local collections; reports noted about twenty paintings on view and extraordinary public interest 34. Boston’s networks also connected directly to Giverny: Isabella Stewart Gardner visited Monet there in 1906, strengthening ties between his studio and the city’s collectors and museums 5. Today, the MFA holds one of the largest Monet collections in the United States, including signature works such as La Japonaise (1876), and continues to reinterpret his legacy in Boston 67. Recent highlights include the arrival of Water Lilies, Reflections of Weeping Willows (c. 1916–19), a long‑term loan unveiled in 2025 that extends the museum’s chronological view of Monet’s late practice and underscores Boston’s ongoing role in presenting his art 6.

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