How Much Is Nature morte, Vase aux marguerites et coquelicots Worth?

$80-110 million

Last updated: March 7, 2026

Quick Facts

Last Sale
$61.8M (2014, Sotheby's New York)
Methodology
comparable analysis

Based on the 2014 Sotheby’s sale at $61.765 million and strong, recent high-end Van Gogh benchmarks, a current fair-market range for the 1890 Auvers still life is $80–110 million. The work’s late-period significance and broad appeal support the upper tier of Van Gogh pricing, subject to clear title and confirmed condition.

Nature morte, Vase aux marguerites et coquelicots

Vincent van Gogh, 1890 • Oil on canvas

Read full analysis of Nature morte, Vase aux marguerites et coquelicots

Valuation Analysis

Conclusion: A current fair-market valuation of $80–110 million is supportable for Vincent van Gogh’s Nature morte, Vase aux marguerites et coquelicots (Auvers, 1890), assuming clean title, strong recent exhibition/publishing support, and a positive condition review. The picture last sold publicly for $61,765,000 (incl. premium) at Sotheby’s New York on 4 November 2014, a watershed price at the time for a late floral still life [1].

Since 2014, the Van Gogh market has reset its top end with the artist’s auction record of $117,180,000 for Orchard with Cypresses in 2022, establishing a contemporary ceiling for A+ masterpieces [2]. Notably, still lifes have also surged: in November 2025, a Paris-period still life, Romans parisiens, achieved $62.7 million, a record for the genre within Van Gogh’s oeuvre and a critical, subject-adjacent benchmark [3]. Late 1889–1890 trophies continue to command deep competition: a Saint-Rémy landscape brought $71.3 million in 2021, while an Auvers portrait realized $46.7 million in the same season, evidencing demand for works created within weeks of the subject painting [4]. Geographic depth has widened, too; a 2024 Hong Kong result at roughly $32.4 million signaled durable Asian appetite for blue-chip Van Goghs [5].

Positioning within the oeuvre: Painted in Auvers-sur-Oise in June 1890, this composition is closely associated with Dr. Paul Gachet and bears the hallmarks prized in Van Gogh’s late work: urgent facture, high-key palette, and psychological intensity. While not as universally iconic as Sunflowers or the most celebrated portraits/landscapes, it is an A-/A still life from a scarce, last-months sequence—material that private collectors can rarely access at scale. This status, together with the 2014 benchmark and subsequent appreciation at the very top of the artist’s market, underpins an estimate that enters the low nine-figure range.

Risk and sensitivity: Valuation is conditioned on due diligence. A 2023 investigative report surfaced chain-of-title complexities following the 2014 sale, with indications the work was quietly shopped around $70 million; any unresolved encumbrance or AML/KYC red flags would suppress near-term pricing until cleared [6]. Conversely, a pristine condition report (with updated UV/IR/X-ray), fresh museum exposure, and bulletproof provenance would support the upper bound—and could prompt outlier bidding above the range under a third-party guarantee.

Market dynamics: The high end remains selective but deep for museum-quality Van Goghs. With best-period supply exceptionally thin, late Auvers works continue to garner global competition from the U.S., Europe, and Asia. In this context, the recommended $80–110 million range reflects a balanced read across the 2014 anchor price, post-2021/2022 record-setting comps, and the strengthened still-life submarket.

Key Valuation Factors

Art Historical Significance

High Impact

Painted in Auvers-sur-Oise in June 1890—within weeks of Van Gogh’s death—this late floral still life is linked to Dr. Paul Gachet and exhibits the chromatic intensity and urgent brushwork that define the period. While it does not carry the universal brand recognition of Sunflowers, it resides in the upper echelon of floral subjects due to its date, scale, and expressive energy. Scarcity is decisive: late Auvers pictures are thinly traded and institutionally coveted. The work’s robust early exhibition and literature history (as recorded in the 2014 Sotheby’s catalogue) further cements its standing. This confluence of period, subject, and pedigree is a primary driver of the $80–110 million conclusion.

Comparable Sales and Price Benchmarks

High Impact

The 2014 sale of this exact painting at $61.8 million anchors valuation. Since then, Van Gogh’s auction record rose to $117.2 million (Arles, 1888), defining the contemporary ceiling for A+ works. A Paris-period still life set a genre record at $62.7 million in 2025, demonstrating renewed appetite for major still lifes. Late 1889–1890 trophies (e.g., a Saint-Rémy landscape at $71.3 million; an Auvers portrait at $46.7 million) indicate persistent depth for adjacent, peak-period works. Together, these datapoints justify stepping the 2014 price into a low nine‑figure band for a late Auvers floral of A‑/A caliber, especially under competitive auction conditions or with an irrevocable bid.

Provenance, Title Clarity, and Condition

High Impact

Sotheby’s 2014 lot text documented strong provenance and a positive condition note (original canvas, only minor retouching). However, 2023 reporting raised questions about the post‑2014 chain of title and suggested the painting was quietly shopped around $70 million. Any unresolved encumbrances, liens, or ownership disputes would likely depress realized value until remedied. Conversely, a fresh, independent condition report with technical imaging and confirmation of unencumbered title would support the upper bound of the range—or higher in a tightly managed sale. In short, the valuation is highly sensitive to documentary clarity and recent conservation evidence.

Supply, Buyer Geography, and Sale Context

Medium Impact

True late‑period Van Gogh paintings are exceptionally scarce, intensifying competition when top examples emerge. Recent results show geographically diversified demand, including meaningful participation from Asia, where a Van Gogh achieved a record price in Hong Kong in 2024. Sale mechanics—such as third‑party guarantees, estimate strategy, and venue timing—can add 5–15% swing to outcomes at this level by catalyzing bidder confidence. Fresh-to-market positioning, museum loans since 2014, and targeted Asian outreach would likely boost bidding. Conversely, a thin presentation or cautionary estimate could constrain momentum toward the lower end of the range.

Sale History

Price unknownNovember 4, 2014

Sotheby's New York

Price unknownNovember 14, 1990

Christie's New York

Vincent van Gogh's Market

Vincent van Gogh occupies the very top tier of the global art market, with extraordinarily limited supply of major paintings and a deep, geographically diverse buyer base. The artist’s current auction record stands at $117.2 million (2022), and multiple results between roughly $45 million and $100+ million over the last half‑decade underscore strong liquidity for best‑period works. Still lifes and late 1889–1890 canvases remain particularly competitive due to their coloristic intensity and cultural resonance. While overall market conditions cycled down in 2023–2024, late‑2025 brought renewed strength—including a still-life record at $62.7 million—signaling enduring demand for museum‑grade Van Goghs, especially when offered with sophisticated sale support (guarantees, optimal venue, and global marketing).

Comparable Sales

Piles de romans parisiens et roses dans un verre (Romans parisiens)

Vincent van Gogh

Major Van Gogh still life (1887) with museum-level quality; closest high-profile recent still-life benchmark and a new still-life record for the artist.

$62.7M

2025, Sotheby's New York

Cabanes de bois parmi les oliviers et cyprès

Vincent van Gogh

Late Saint-Rémy landscape (Oct 1889) from the artist’s peak period; trophy-caliber work that sets the upper range for late 1889–1890 pictures in today’s market.

$71.3M

2021, Christie's New York

~$82.7M adjusted

Jeune homme au bleuet

Vincent van Gogh

Auvers-sur-Oise (June 1890), the same brief, coveted late period as the subject work; strong, widely exhibited portrait that benchmarks demand for late Auvers material.

$46.7M

2021, Christie's New York

~$54.2M adjusted

Orchard with Cypresses (Verger avec cyprès)

Vincent van Gogh

Arles 1888 masterpiece and current auction record for the artist; establishes the contemporary ceiling for A+ Van Gogh paintings.

$117.2M

2022, Christie's New York

~$126.6M adjusted

Coin de jardin avec papillons (Corner of a Garden with Butterflies)

Vincent van Gogh

Floral/garden subject with vivid color (1887); useful as a subject-adjacent benchmark showing demand for colorful nature themes, albeit earlier and less iconic than Auvers.

$33.2M

2024, Christie's New York

~$34.2M adjusted

Les canots amarrés (Moored Boats)

Vincent van Gogh

Strong 1887 Paris-period canvas, marking expanding Asian demand for top Van Gogh works; sets a mid-tier reference below late Auvers/Saint-Rémy trophies.

$32.4M

2024, Christie's Hong Kong

~$33.3M adjusted

Current Market Trends

The high end of the Impressionist & Modern segment remains selective but resilient. After a cooler 2024 with fewer $10–$100 million lots and tighter supply, late‑2025 marquee sales rebounded, highlighted by new records and strong absorption of blue‑chip masterpieces. Collectors continue to bifurcate: they will stretch for unimpeachable, best‑period works with clear title and strong exhibition histories, while exercising discipline elsewhere. Guarantees and carefully calibrated estimates are pivotal in catalyzing competitive bidding. Geographic demand has broadened, with increased Asian participation for late‑19th‑century icons. Against this backdrop, top-tier Van Goghs retain exceptional scarcity value, supporting low nine‑figure pricing when quality and presentation align.

Disclaimer: This estimate is for informational and educational purposes only. It is based on publicly available data and AI analysis. It should not be used for insurance, tax, estate planning, or sale purposes. For formal appraisals, consult a certified appraiser.