Metamorphosis & transformation
Featured Artworks

Woman Ironing
Edgar Degas (c. 1876–1887)
In Woman Ironing, Degas builds a modern icon of labor through <strong>contre‑jour</strong> light and a forceful diagonal from shoulder to iron. The worker’s silhouette, red-brown dress, and the cool, steamy whites around her turn repetition into <strong>ritualized transformation</strong>—wrinkled cloth to crisp order <sup>[1]</sup><sup>[2]</sup>.

The Cliff, Etretat
Claude Monet (1882–1883)
<strong>The Cliff, Etretat</strong> stages a confrontation between <strong>permanence and flux</strong>: the dark mass of the arch and needle holds like a monument while ripples of coral, green, and blue light skate across the water. The low <strong>solar disk</strong> fixes the instant, and Monet’s fractured strokes make the sea and sky feel like time itself turning toward dusk. The arch reads as a <strong>threshold</strong>—an opening to the unknown that organizes vision and meaning <sup>[1]</sup><sup>[2]</sup>.

Seated Bather
Pierre-Auguste Renoir
Renoir’s Seated Bather stages a quiet pause between bathing and reverie, fusing the model’s pearly flesh with the flicker of stream and stone. The white drapery pooled around her hips and the soft, frontal gaze convert a simple toilette into a <strong>modern Arcadia</strong> where body and landscape dissolve into light. In this late-Impressionist idiom, Renoir refines the nude as a <strong>timeless ideal</strong> felt through color and touch <sup>[1]</sup><sup>[2]</sup>.

The Persistence of Memory
Salvador Dali (1931)
Salvador Dali’s The Persistence of Memory turns clock time into <strong>soft, malleable matter</strong>, staging a dream in which chronology buckles and the self dissolves. Four pocket watches droop across a barren platform, a dead branch, and a lash‑eyed biomorph, while ants overrun a hard, closed watch—a sign of <strong>decay</strong> and the futility of mechanical order <sup>[1]</sup><sup>[2]</sup>.