How Much Is Blackboard Worth?
Last updated: June 25, 2026
Quick Facts
- Insurance Value
- $90.0M (Derived from top auction comparables (Sotheby's 2015; Christie's 2014) and scarcity of prime 1968–70 Blackboard works)
- Methodology
- comparable analysis
We estimate Cy Twombly’s Untitled (1968) “Blackboard” at $45–65 million fair market value. This reflects its prime 1968 date, substantial scale (172.8 x 216 cm), and MoMA provenance, benchmarked against the $70.5m 2015 record for a larger 1968 Blackboard and recent $26.8m–$41.6m results for strong but non‑trophy peers.

Blackboard
Cy Twombly, 1968 • Oil‑based house paint and crayon on canvas
Read full analysis of Blackboard →Valuation Analysis
Conclusion: Based on direct comparables from Cy Twombly’s 1966–71 “Blackboard” series, we estimate a fair market value of $45–65 million for Untitled (1968), oil‑based house paint and crayon on canvas, 172.8 x 216 cm (68 1/8 x 87 1/8 in), in the collection of The Museum of Modern Art, New York [1]. This range places the MoMA canvas below the very largest, record‑setting “Blackboards,” yet distinctly above the mid‑tier results for smaller or less optically commanding examples.
Key benchmarks: The artist’s auction record remains $70,530,000 (with premium) for a large 1968 “Blackboard” at Sotheby’s New York on November 11, 2015, a canonical looping‑script composition and near‑ideal format for the series [2]. A closely related 1970 “Blackboard” made $69,605,000 at Christie’s New York (Nov 12, 2014). By contrast, recent strong but non‑trophy Blackboards have sold in the high‑seven to low‑eight figures: $41,600,000 for a 1970 example (Sotheby’s, May 12, 2021) and $38,000,000 for a 1969 canvas (Sotheby’s, May 19, 2022) [3][4]. In November 2023, a 1968 Blackboard from the Emily Fisher Landau Collection realized about $26,800,000 at Sotheby’s, underscoring the breadth of outcomes within this series as scale and composition vary [5].
How those comps map to this work: The MoMA painting is a prime‑year (1968) example from the most coveted phase of the “Blackboard” corpus. Its dimensions (172.8 x 216 cm) are substantial but modestly smaller than the widest, record‑setting horizontals (often around 170 x 270 cm). In the Blackboard group, size, loop density, and visual authority directly influence price; holding scale constant, denser, more rhythmically continuous scripts generally command higher values. The MoMA attribution and early institutional provenance (gift in 1969) signal importance and quality, factors that typically support pricing toward the upper end of a non‑trophy bracket.
Market positioning and scarcity: Trophy‑level 1968–70 Blackboards of record caliber are exceedingly scarce at auction, with few truly comparable offerings since 2015. That scarcity sustains the value of best‑in‑class works and anchors expectations for strong, museum‑grade examples a step below the record tier. Recent anchor results in the $26.8m–$41.6m band for smaller or less commanding canvases provide the lower boundary, while the ~$70m record serves as the upper benchmark for the series’ pinnacle. Given its prime date, major‑museum ownership, and substantial size—yet not the absolute widest format—we place MoMA’s example in a confident $45–65 million range.
Insurance note: Replacement values for institutions commonly reference the top of the comp set and scarcity premiums. For a prime 1968 Blackboard, a notional replacement benchmark near the high‑$80m to ~$100m zone can be justified for insurance scheduling, pending condition review and composition specifics; our indicative figure is provided below, sourced to record‑level comparables [2].
Caveats: Final appraisal should incorporate high‑resolution imaging, a current condition report (matte house‑paint and crayon surfaces are sensitive), conservation history, and full literature/exhibition records, as these factors can swing outcomes within the indicated range.
Key Valuation Factors
Art Historical Significance
High ImpactThe Blackboard paintings (c. 1966–71) are the canonical core of Twombly’s oeuvre, synthesizing post‑minimal restraint with gestural script. Works from 1968 sit at the heart of this period and are among the most studied and institutionally collected. Their critical resonance, frequent inclusion in museum exhibitions, and presence in major collections elevate both cultural and market value. This particular canvas’s early museum placement at MoMA further amplifies its art‑historical standing and contributes to sustained demand among top collectors and institutions seeking prime examples of late‑1960s abstraction.
Scale and Composition
High ImpactAt 172.8 x 216 cm (68 1/8 x 87 1/8 in), the work is large and visually authoritative, though modestly narrower than the widest record‑setting horizontals. Within the Blackboard series, scale, loop density, and rhythmic continuity strongly correlate with price. While not at the absolute trophy format, the painting’s substantial size combined with a resolved loop script (subject to inspection) positions it above smaller or compositionally lighter variants and supports the mid‑to‑upper valuation band relative to recent non‑trophy comparables.
Provenance and Institutional Context
High ImpactGifted to The Museum of Modern Art in 1969, the painting’s uncommonly strong provenance signals early recognition and quality. Museum ownership confers prestige and rigorous vetting; works with longstanding institutional histories often benefit from enhanced visibility, publication, and exhibition credentials. Although MoMA’s custody means the work is not commercially available, that provenance would be a material positive in any hypothetical private‑treaty or insurance context, reinforcing confidence at the upper end of a fair‑market range.
Condition and Medium
Medium ImpactTwombly’s Blackboard surfaces—matte house paint with wax/oil crayon—are sensitive to abrasion, cleaning, and environmental shifts. Condition can meaningfully affect price within this series. While no public issues are noted on the MoMA record, a current conservation report, UV/technical imaging, and treatment history would be required to confirm pristine condition. Assuming sound condition with minimal intervention, the estimate holds; material issues would move the value toward the lower bound.
Market Liquidity and Scarcity
High ImpactPrime 1968–70 Blackboards are tightly held and sporadically offered. Since the 2014–2015 peak results, truly comparable trophy examples have been rare at auction, preserving the benchmark effect of those sales and supporting strong private‑market expectations. Recent outcomes for adjacent‑quality works ($26.8m–$41.6m) set the floor, while scarcity leaves headroom for best‑in‑class paintings to approach the ~$70m record. In this context, a large, prime‑year, museum‑grade example justifies a confident mid‑eight‑figure valuation.
Sale History
Blackboard has never been sold at public auction.
Cy Twombly's Market
Cy Twombly is a blue‑chip postwar master whose market is anchored by the 1966–71 “Blackboard” paintings. His standing auction record is $70.53 million for a 1968 Blackboard at Sotheby’s New York (2015), with a closely related 1970 Blackboard fetching $69.61 million at Christie’s New York (2014). Outside the trophy tier, robust results in 2021–2023—such as $41.6 million (1970) and $38.0 million (1969)—demonstrate persistent demand for strong examples, while more modestly scaled or compositionally lighter works can trade in the high‑seven to low‑eight figures. Institutional prominence, limited supply of prime works, and a global, museum‑caliber collector base continue to support high valuations for top Twombly material.
Comparable Sales
Untitled (New York City), 1968 (Blackboard)
Cy Twombly
Same artist and exact Blackboard series/year (1968); large, iconic looping-script canvas that set the artist’s record; closest benchmark for a prime 1968 Blackboard.
$70.5M
2015, Sotheby's New York
~$97.3M adjusted
Untitled, 1970 (Blackboard)
Cy Twombly
Same artist and peak 1966–71 Blackboard series; major, large-scale loop composition that established the high-water mark just before the 2015 record.
$69.6M
2014, Christie's New York
~$96.1M adjusted
Untitled (Rome), 1970 (Blackboard)
Cy Twombly
Same artist and Blackboard series; strong large 1970 example sold recently, providing a contemporary anchor for high-quality but non-record-tier Blackboards.
$41.6M
2021, Sotheby's New York
~$50.2M adjusted
Untitled, 1969 (Blackboard)
Cy Twombly
Same artist and series, adjacent year (1969); large Blackboard that traded near recent market conditions, useful for bracketing value below the trophy tier.
$38.0M
2022, Sotheby's New York
~$42.5M adjusted
Untitled, 1968 (Blackboard) — Emily Fisher Landau Collection
Cy Twombly
Same artist, same year (1968) and series; prominent provenance; the closest recent-year comp for a 1968 Blackboard’s market reception.
$26.8M
2023, Sotheby's New York
~$28.7M adjusted
Current Market Trends
The high end of the Post‑War and Contemporary market has recalibrated since the 2021 peak, with a notable flight to quality and renewed appetite for historically canonical material. In this environment, best‑in‑class works by established postwar figures—especially with museum‑grade provenance—remain highly competitive, while mid‑tier examples face more selective bidding. For Twombly, scarcity of A‑level Blackboards at auction since 2015 has preserved the strength of record benchmarks and sustained private‑sale momentum. Recent outcomes in the $26.8m–$41.6m range for non‑trophy Blackboards frame the floor, while exceptional 1968–70 canvases retain the potential to command materially higher prices when scale, composition, and condition align.
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Sources
- The Museum of Modern Art – Collection entry: Cy Twombly, Untitled, 1968
- The Art Newspaper – Records for Cy Twombly at Sotheby’s (Nov 2015)
- Sotheby’s – Contemporary Art Evening Auction (May 12, 2021): Twombly, Untitled (Rome), 1970
- Judd Tully – Market report covering Sotheby’s Contemporary Evening (May 19, 2022)
- Sotheby’s – Emily Fisher Landau Collection: Post‑sale coverage and totals (Nov 2023)