The Dead Toreador
Édouard Manet (probably 1864)
Manet’s The Dead Toreador isolates a matador’s corpse in a stark, horizontal close‑up, replacing the spectacle of the bullring with <strong>silence</strong> and <strong>abrupt finality</strong>. Black costume, white stockings, a pale pink cape, the sword’s hilt, and a small <strong>pool of blood</strong> become the painting’s cool, modern vocabulary of death <sup>[1]</sup>.