San Giorgio Maggiore by Twilight
Claude Monet (1908)
Claude Monet’s San Giorgio Maggiore by Twilight turns Venice into a <strong>luminous threshold</strong> where stone, air, and water merge. The dark, melting silhouette of the church and its vertical reflection anchor a field of <strong>apricot–rose–violet</strong> light that drifts into cool turquoise, making permanence feel provisional <sup>[1]</sup>. Monet’s subject is not the monument, but the <strong>enveloppe</strong> of atmosphere that momentarily creates it <sup>[4]</sup>.
