Environmental degradation
Featured Artworks

Waterloo Bridge, Sunlight Effect
Claude Monet (1903 (begun 1900))
Claude Monet’s Waterloo Bridge, Sunlight Effect renders London as a <strong>lilac-blue atmosphere</strong> where form yields to light. The bridge’s stone arches persist as anchors, yet the span dissolves into mist while <strong>flecks of lemon and ember</strong> signal modern traffic crossing a city made weightless <sup>[1]</sup><sup>[2]</sup>. Vertical hints of chimneys haunt the distance, binding industry to beauty as the Thames shimmers with the same notes as the sky <sup>[1]</sup><sup>[3]</sup>.

Sunflowers
Vincent van Gogh (1888)
Vincent van Gogh’s Sunflowers (1888) is a <strong>yellow-on-yellow</strong> still life that stages a full <strong>cycle of life</strong> in fifteen blooms, from fresh buds to brittle seed heads. The thick impasto, green shocks of stem and bract, and the vase signed <strong>“Vincent”</strong> turn a humble bouquet into an emblem of endurance and fellowship <sup>[1]</sup><sup>[2]</sup>.

The Millinery Shop
Edgar Degas (1879–1886)
Edgar Degas’s The Millinery Shop stages modern Paris through a quiet act of <strong>work</strong> rather than display. A young woman, cropped in profile, studies a glowing <strong>orange hat</strong> while faceless stands crowned with ribbons and plumes press toward the picture plane. Degas turns a boutique into a meditation on <strong>labor, commodities, and identity</strong> <sup>[1]</sup><sup>[2]</sup>.

Charing Cross Bridge
Claude Monet (1901)
In Charing Cross Bridge, Claude Monet turns London into <strong>atmosphere</strong> itself: the bridge flattens into a cool, horizontal band while mauves, lavenders, and pearly grays veil the city. Spirals of <strong>pink steam</strong> and pockets of pale <strong>blue</strong> read as trains, lamps, or smoke transfigured by weather, so place becomes <strong>sensation</strong> rather than structure.