The Church at Moret
Alfred Sisley (1894)
Alfred Sisley’s The Church at Moret turns a Flamboyant Gothic façade into a living barometer of light, weather, and time. With <strong>cool blues, lilacs, and warm ochres</strong> laid in broken strokes, the stone seems to breathe as tiny townspeople drift along the street. The work asserts <strong>permanence meeting transience</strong>: a communal monument held steady while the day’s atmosphere endlessly remakes it <sup>[1]</sup><sup>[2]</sup><sup>[3]</sup>.
