Loneliness & isolation

Featured Artworks

The House of the Hanged Man by Paul Cézanne

The House of the Hanged Man

Paul Cézanne (1873)

Paul Cézanne’s The House of the Hanged Man turns a modest Auvers-sur-Oise lane into a scene of <strong>engineered unease</strong> and <strong>structural reflection</strong>. Jagged roofs, laddered trees, and a steep path funnel into a narrow, shadowed V that withholds a center, making absence the work’s gravitational force. Cool greens and slate blues, set in blocky, masoned strokes, build a world that feels both solid and precarious.

The Magpie by Claude Monet

The Magpie

Claude Monet (1868–1869)

Claude Monet’s The Magpie turns a winter field into a study of <strong>luminous perception</strong>, where blue-violet shadows articulate snow’s light. A lone <strong>magpie</strong> perched on a wooden gate punctuates the silence, anchoring a scene that balances homestead and open countryside <sup>[1]</sup>.

Paris Street; Rainy Day by Gustave Caillebotte

Paris Street; Rainy Day

Gustave Caillebotte (1877)

Gustave Caillebotte’s Paris Street; Rainy Day renders a newly modern Paris where <strong>Haussmann’s geometry</strong> meets the <strong>anonymity of urban life</strong>. Umbrellas punctuate a silvery atmosphere as a <strong>central gas lamp</strong> and knife-sharp façades organize the space into measured planes <sup>[1]</sup><sup>[2]</sup>.

On the Beach by Édouard Manet

On the Beach

Édouard Manet (1873)

On the Beach captures a paused interval of modern leisure: two fashionably dressed figures sit on pale sand before a <strong>banded, high-horizon sea</strong>. Manet’s <strong>economical brushwork</strong>, restricted greys and blacks, and radical cropping stage a scene of absorption and wind‑tossed motion that feels both intimate and detached <sup>[1]</sup>.

Plum Brandy by Édouard Manet

Plum Brandy

Édouard Manet (ca. 1877)

Manet’s Plum Brandy crystallizes a modern pause—an urban <strong>interval of suspended action</strong>—through the idle tilt of a woman’s head, an <strong>unlit cigarette</strong>, and a glass cradling a <strong>plum in amber liquor</strong>. The boxed-in space—marble table, red banquette, and decorative grille—turns a café moment into a stage for <strong>solitude within public life</strong> <sup>[1]</sup><sup>[2]</sup>.

Wheatfield with Crows by Vincent van Gogh

Wheatfield with Crows

Vincent van Gogh (1890)

A panoramic wheatfield splits around a rutted track under a storm-charged sky while black crows rush toward us. Van Gogh drives complementary blues and yellows into collision, fusing <strong>nature’s vitality</strong> with <strong>inner turbulence</strong>.