Most Expensive Jan van Eyck Paintings

$500 million–$3 billion

Hypothetical $500M–$3B band, anchored to Salvator Mundi‑level comparables, reflects national‑treasure status and the work’s effectively unsellable position under Belgian patrimony protections.

$250-600 million

Louvre‑held with no market sale; the $250–600M notional band is extrapolated from scarce securely attributed van Eyck panels and institutional trophy‑purchase precedents.

$200-600 million

Estimated $200–600M contingent on secure autograph attribution, excellent condition and an extraordinary, largely theoretical trophy‑sale environment that would enable such pricing.

$300–600 million

The $300–600M estimate for The Arnolfini is driven by van Eyck’s extreme scarcity and the upside from potential trophy‑buyer competition despite no modern open‑market sale.

$150-350 million

National Gallery‑held with no sale history; the $150–350M range is a replacement/market estimate derived from trophy comparables and institutional purchase mechanics.

$100-150 million

Groeninge Museum‑held; the $100–150M range assumes exportability, secure autograph attribution and good condition—without those, institutional sale and that price are unlikely.

$100-150 million

If accepted as autograph, $100–150M; if downgraded to workshop or heavily compromised, value would likely collapse into single‑digit millions, potentially under $5M.

$100-150 million

Städel‑owned and effectively nonexportable; the $100–150M theoretical valuation presumes unquestioned autograph attribution, strong condition and permission to offer it on the open market.

$30-120 million

As a small signed devotional panel in Antwerp, its $30–120M band reflects constrained marketability from scale, possible condition/restoration concerns and a limited buyer pool.

$20-75 million

Frick‑catalogued as 'van Eyck and workshop', the $20–75M market estimate hinges on convincing technical proof of substantial autograph contribution to reach the top end.