War & conflict

Featured Artworks

Pont Neuf Paris by Pierre-Auguste Renoir

Pont Neuf Paris

Pierre-Auguste Renoir (1872)

In Pont Neuf Paris, Pierre-Auguste Renoir turns the oldest bridge in Paris into a stage where <strong>light</strong> and <strong>movement</strong> bind a city back together. From a high perch, he orchestrates crowds, carriages, gas lamps, the rippling Seine, and a fluttering <strong>tricolor</strong> so that everyday bustle reads as civic grace <sup>[1]</sup>.

Beach at Trouville by Claude Monet

Beach at Trouville

Claude Monet (1870)

Beach at Trouville turns the Normandy resort into a stage where <strong>modern leisure</strong> meets <strong>restless weather</strong>. Monet’s diagonal boardwalk, wind-whipped <strong>red flags</strong>, and white <strong>parasols</strong> marshal the eye through a day animated by light and air rather than by individual stories <sup>[1]</sup><sup>[2]</sup>. The work asserts Impressionism’s claim to immediacy—there is even <strong>sand embedded in the paint</strong> from working on site <sup>[1]</sup>.

Berthe Morisot with a Bouquet of Violets by Édouard Manet

Berthe Morisot with a Bouquet of Violets

Édouard Manet (1872)

Édouard Manet’s Berthe Morisot with a Bouquet of Violets is a close, modern portrait built as a <strong>symphony in black</strong> punctuated by a tiny violet knot. Side‑light chisels the face from a cool, silvery ground while hat, scarf, and coat merge into one dark silhouette, and the eyes are painted strikingly <strong>black</strong> for effect <sup>[1]</sup>. The single touch of violets introduces a discreet, coded <strong>tenderness</strong> within the portrait’s refined restraint <sup>[1]</sup><sup>[3]</sup><sup>[4]</sup>.

The Execution of Emperor Maximilian by Édouard Manet

The Execution of Emperor Maximilian

Édouard Manet (1867–1868)

Manet’s The Execution of Emperor Maximilian confronts state violence with a <strong>cool, reportorial</strong> style. The wall of gray-uniformed riflemen, the <strong>fragmented canvas</strong>, and the dispassionate loader at right turn the killing into <strong>impersonal machinery</strong> that implicates the viewer <sup>[1]</sup><sup>[2]</sup>.

Guernica by Pablo Picasso

Guernica

Pablo Picasso (1937)

Guernica is a monumental, monochrome indictment of modern war, compressing a town’s annihilation into a frantic tangle of bodies, beasts, and light. Across the canvas, a <strong>shrieking horse</strong>, a <strong>stoic bull</strong>, a <strong>weeping mother with her dead child</strong>, and a <strong>fallen soldier</strong> stage a civic tragedy rather than a heroic battle. The harsh <strong>electric bulb</strong> clashes with a fragile <strong>oil lamp</strong>, turning the scene into a stark drama of terror and witness.